Q.1
"You shall not get it out of me to-night, sir; you must wait till to-morrow: to leave my tale half-told, will, you know, be a sort of security that I shall appear at your breakfast-table to finish it"
  • Jane both teases and comforts Rochester by promising "to leave my tale half-told"
  • By promising "to leave my tale half-told", Jane both teases and comforts Rochester
  • By promising to leave her story "half-told", Jane both teases and comforts Rochester
  • All of the above
Q.2
"'I like Thornfield; its antiquity; its retirement; its old crow-trees and thorn-trees; its gray façade, and lines of dark windows reflecting that metal welkin: and yet how long have I abhorred the very thought of it; shunned it like a great plague-house! How I do still abhor—' He ground his teeth and was silent"
  • Rochester contrasts the attractive view of his home and its grounds with the feeling of hatred caused by the "very thought of it"
  • Like Jane, the reader does not yet understand why Rochester once viewed Thornfield Hall as a "plague-house"
  • Rochester's sudden silence at the moment he might reveal the secret cause of his abhorrence for Thornfield Hall increases the air of mystery surrounding Jane
  • All of the above
Q.3
"Twenty thousand pounds shared equally, would be five thousand each, — enough and to spare: justice would be done, — mutual happiness secured. Now the wealth did not weigh on me: now it was not a mere bequest of coin, — it was a legacy of life, hope, enjoyment"
  • Jane thinks of her fortune as a "dead weight"; only when it is shared can it represent "life, hope, enjoyment"
  • Jane thinks of her fortune as a dead "weight"; only when it is shared can it represent "life, hope, enjoyment"
  • Jane thinks of her fortune as a dead weight; only when it is shared can it represent life, hope, enjoyment
  • Jane thinks of her fortune as a dead weight; only when it is shared can it represent "life, hope, enjoyment"
Q.4
"When thus alone, I not unfrequently heard Grace Poole's laugh: the same peal, the same low, slow ha! ha! which, when first heard, had thrilled me: I heard, too, her eccentric murmurs; stranger than her laugh"
  • Jane believes "Grace Pool" to be the source of the strange sounds and "eccentric murmurs" she can hear coming from the attic
  • Jane believes "Grace Pool" to be the source of the "strange" sounds and "eccentric murmurs" she can hear coming from the attic
  • Jane believes Grace Pool to be the source of the strange sounds and "eccentric murmurs" she can hear coming from the attic
  • Jane believes Grace Pool to be the source of the strange sounds and eccentric murmurs she can hear coming from the attic
Q.5
"My rest might have been blissful enough, only a sad heart broke it. It plained of its gaping wounds, its inward bleeding, its riven chords"
  • Jane pictures her broken heart through physical details: its "gaping wounds", "inward bleeding" and "riven chords"
  • Jane pictures her "broken" heart through physical details: its gaping wounds, inward bleeding and riven chords
  • Jane pictures her broken "heart" through "physical" details: its gaping wounds, "inward bleeding" and "riven chords"
  • Jane pictures her broken heart through physical details: its gaping wounds, inward bleeding and "riven chords"
Q.6
"So I turned at the door: I saw a robed and veiled figure, so unlike my usual self that it seemed almost the image of a stranger"
  • Dressed as a bride in the "veil" chosen by Rochester, Jane no longer knows "herself": a "robed and veiled figure"
  • Dressed as a bride in the veil chosen by Rochester, Jane no longer knows herself: she sees a robed and veiled figure
  • Dressed as a bride in the veil chosen by Rochester, Jane no longer "knows" herself, instead seeing a "stranger": a "robed and veiled figure"
  • Dressed as a bride in the veil chosen by Rochester, Jane no longer knows herself, instead seeing a stranger: "a robed and veiled figure"
Q.7
"But I'll shut up Thornfield Hall: I'll nail up the front door, and board the lower windows; I'll give Mrs Poole two hundred a year to live here with , as you term that fearful hag"
  • By emphasizing the words "my wife", Rochester implies that the words themselves are inaccurate
  • By emphasizing the words my wife, Rochester implies that the words themselves are inaccurate
  • By emphasizing the words my wife, Rochester implies that the words themselves are inaccurate
  • By emphasizing the words "my wife", Rochester implies that the words themselves are "inaccurate"
Q.8
"Had I been dreaming? Did I dream still? The old woman's voice had changed: her accent, her gesture, and all, were familiar to me as my own face in the glass — as the speech of my own tongue"
  • Mr Rochester is as familiar to Jane as her own being, her own face in the glass, her own speech
  • Mr Rochester is as familiar to Jane as her own being, her "own face in the glass", her own speech
  • Mr Rochester is as familiar to Jane as her own being, her "own face in the glass", "her own speech"
  • Mr Rochester is as familiar to Jane as her own being, her "own face in the glass", the speech of "her own tongue"
Q.9
"Helen she held a little longer than me: she let her go more reluctantly; it was Helen her eye followed to the door; it was for her she a second time breathed a sad sigh; for her she wiped a tear from her cheek"
  • Jane is an observant child: she sees Miss Temple's compassion through her actions, her tears and her "sighs" for Helen
  • Jane is an observant child: she sees Miss Temple's compassion through her actions, her "tears" and her "sighs" for Helen
  • Jane is an observant child: she sees Miss Temple's compassion through her actions, her tears and her sighs for Helen
  • Jane is an observant child: she sees Miss Temple's compassion through her actions, her "tears" and her sighs for Helen
Q.10
"I envy you your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot or contamination must be an exquisite treasure — an inexhaustible source of pure refreshment"
  • Mr Rochester views Jane as a "little girl" whose character is "clean" and "unpolluted"
  • Mr Rochester views Jane as a little girl whose character is clean and unpolluted
  • Mr Rochester views Jane as a "little girl" with a "clean conscience" and unpolluted memory
  • Mr Rochester views Jane as a little girl with a clean conscience and "unpolluted memory"
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