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Ten Pieces - 'Mars' From 'The Planets'
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Why would the whole idea of Mars most likely have been in Holst's mind at the time when he wrote this piece?
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He had lost many friends in the Boer War at the turn of the 20th century
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World War I was beginning at the time when he began composing The Planets
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H G Wells had fairly recently published The War of the Worlds in which Martians were 'the enemy'
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The Mars Bar was newly on sale, so the name was in people's minds
has many obvious, and intentional, 'warlike' and military features of style: not least that it is march-like ... though not quite. What's 'deliberately wrong' with it as a march?
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It uses stringed instruments, which would plainly be impractical for marching people to play
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It has the wrong number of beats in the bar (5 rather than 4)
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It isn't loud enough from the outset
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There are no 'effects' to suggest gunfire during it
What is the usual semi-technical name for a 'call' by one or more trumpets?
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A peal
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A blast
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A fanfare
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A blether
What unusual technique are the string players asked to use during the outer section of ?
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They flick the bodies of their instruments with their fingernails
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They pluck the strings with their fingertips instead of stroking them with the bow
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They turn the bow over and bounce the wooden side off the string instead of stroking it with the horsehair
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They tune their strings to pitches different from the usual
What is the Italian musical term for the insistent use of a rhythm or shape right through a piece, such as the 'wonky-march' motif in this movement?
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Ground bass
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Chaconne
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Round
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Ostinato
Apart from , what musical forces did Holst originally have in mind for this Suite?
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Brass / military band
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Piano duo or duet (2 players at 1 instrument each)
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Chamber orchestra with enlarged percussion section
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Organ
There is another link between and the organ: what is it?
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Holst's first schoolgirl choir (from St Paul's, where he taught) rehearsed their notes to the accompaniment of an organ before practising with the full orchestra
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The singers were instructed to vocalise without forming actual words, so as to sound as near as possible like the tone of an organ
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The singers could breathe 'secretly' whenever they wanted, so the overall sound of their chords never ran out of puff ~ like the potentially unbroken sound of an organ
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The final 'fade' is achieved by slowly closing a door so that the audience can no longer hear the offstage chorus: this is the same basic acoustic / mechanical principle as the pedal-controlled 'swell box' on all but the smallest pipe organs
What is the simple but startling musical 'recipe' for the first three notes around which Holst builds the tune in ?
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Up by a fifth, then down by a tone
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Up by a fifth, then down by a semitone
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Up by a tritone, down by a diminished second
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Up by an augmented fourth, down by a third
Which of the following types of drum, used in this piece, would feature in an actual marching military band?
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Side drum
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Bass drum
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Kettledrum
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Snare drum
Who conducted the first performance of the suite?
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Sir Adrian Boult
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John Barbirolli
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Malcolm Sargent
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Thomas Beecham
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