Why would the whole idea of Mars most likely have been in Holst's mind at the time when he wrote this piece?
  • He had lost many friends in the Boer War at the turn of the 20th century
  • World War I was beginning at the time when he began composing The Planets
  • H G Wells had fairly recently published The War of the Worlds in which Martians were 'the enemy'
  • The Mars Bar was newly on sale, so the name was in people's minds
has many obvious, and intentional, 'warlike' and military features of style: not least that it is march-like ... though not quite. What's 'deliberately wrong' with it as a march?
  • It uses stringed instruments, which would plainly be impractical for marching people to play
  • It has the wrong number of beats in the bar (5 rather than 4)
  • It isn't loud enough from the outset
  • There are no 'effects' to suggest gunfire during it
What is the usual semi-technical name for a 'call' by one or more trumpets?
  • A peal
  • A blast
  • A fanfare
  • A blether
What unusual technique are the string players asked to use during the outer section of ?
  • They flick the bodies of their instruments with their fingernails
  • They pluck the strings with their fingertips instead of stroking them with the bow
  • They turn the bow over and bounce the wooden side off the string instead of stroking it with the horsehair
  • They tune their strings to pitches different from the usual
What is the Italian musical term for the insistent use of a rhythm or shape right through a piece, such as the 'wonky-march' motif in this movement?
  • Ground bass
  • Chaconne
  • Round
  • Ostinato
Apart from , what musical forces did Holst originally have in mind for this Suite?
  • Brass / military band
  • Piano duo or duet (2 players at 1 instrument each)
  • Chamber orchestra with enlarged percussion section
  • Organ
There is another link between and the organ: what is it?
  • Holst's first schoolgirl choir (from St Paul's, where he taught) rehearsed their notes to the accompaniment of an organ before practising with the full orchestra
  • The singers were instructed to vocalise without forming actual words, so as to sound as near as possible like the tone of an organ
  • The singers could breathe 'secretly' whenever they wanted, so the overall sound of their chords never ran out of puff ~ like the potentially unbroken sound of an organ
  • The final 'fade' is achieved by slowly closing a door so that the audience can no longer hear the offstage chorus: this is the same basic acoustic / mechanical principle as the pedal-controlled 'swell box' on all but the smallest pipe organs
What is the simple but startling musical 'recipe' for the first three notes around which Holst builds the tune in ?
  • Up by a fifth, then down by a tone
  • Up by a fifth, then down by a semitone
  • Up by a tritone, down by a diminished second
  • Up by an augmented fourth, down by a third
Which of the following types of drum, used in this piece, would feature in an actual marching military band?
  • Side drum
  • Bass drum
  • Kettledrum
  • Snare drum
Who conducted the first performance of the suite?
  • Sir Adrian Boult
  • John Barbirolli
  • Malcolm Sargent
  • Thomas Beecham
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